{"title":"VINTAGE SOUND - VINTAGE 35SC","description":"\u003cimg align=\"left\" style=\"padding: 0 20px 20px 0;\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/vintage-22sc-13_medium.jpg?7156887833481016471\"\u003e\n\u003cp style=\"font-size: 0.85em;\"\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003eThe \u003cb\u003eVintage Sound Vintage 35sc\u003c\/b\u003e is the a higher headroom, 6L6 version of our super popular Vintage 22sc, also referred to as the Deluxe that Leo *should* have built!  \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003eFor years guitar players both professional and amateur have praised the coveted Black Face AB763 circuitry found in the mid 60's Deluxe Reverbs as the Holy Grail of tone.  However, we often hear the following from many of them:   1)  Why 2 channels?  I only use the Main channel, and  2) \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003eSomeone should offer a smaller single channel \"grab and go\" version!\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" style=\"color: #112244; font-family: Tahoma;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003eBut wait, there are other improvements!  There's more detail on the amp item pages below, but in a nutshell, there are 4 other improvements to the circuit.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003e1) \u003cb\u003eThe \"MIDDLE\" tone control\u003c\/b\u003e.  The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k.  Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer.  \u003cbr\u003e2) \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003e\u003cb\u003e\"Bright Cap Defeat\" switch.  \u003c\/b\u003e\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Tahoma\" size=\"-1\" style=\"color: #112244; font-family: Tahoma;\"\u003eAs you probably know, the original circuit was somewhat bright, so people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. There's now a switch that accomplishes the same thing.\u003cbr\u003e3) \u003cb\u003eReverb Dwell Control\u003c\/b\u003e on the rear of the chassis.  Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. \u003cbr\u003e4) \u003cb\u003eThe Diaz based tremolo mod\u003c\/b\u003e and a\u003cb\u003e newly designed oscillator specific to Vintage Sound Amps\u003c\/b\u003e allows a slower vibrato rate and less noise than the original Fender circuit.  You can also turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. \u003c\/span\u003e\u003cspan face=\"Tahoma\" size=\"-1\" style=\"font-family: Tahoma;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"vintage-sound-vintage-35sc-black-tweed","title":"Vintage Sound Vintage 35sc Combo, Black Tweed","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 16=7\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":21601551745,"sku":"VS35SCBKTWD","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sounds-Vintage-22SC-Black-Tweed-Combo-No-Corners-Main_53a8c77b-756a-4824-96a8-3c7cbdd10444.JPG?v=1516890414"},{"product_id":"vintage-sound-vintage-35sc-fawn-slub","title":"Vintage Sound Vintage 35sc Combo, Fawn Slub","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":21602303041,"sku":"VS35SCFAWN","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/vintage_sound_vintage_35sc_fawn.JPG?v=1562344129"},{"product_id":"vintage-sound-vintage-35sc-brown-western","title":"Vintage Sound Vintage 35sc Combo, Brown Western","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":21602557057,"sku":"VS35SCBRNWEST","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_8725.JPG?v=1516891687"},{"product_id":"vintage-sound-vintage-35sc-blonde","title":"Vintage Sound Vintage 35sc Combo, Blonde, Gold","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":21603019073,"sku":"VS35SCBLBGG","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-Vintage-35SC-Combo-Blonde-Main.JPG?v=1541217943"},{"product_id":"vintage-sound-vintage-35sc-walnut-hardwood","title":"Vintage Sound Vintage 35sc Combo, Walnut Hardwood","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":21603149249,"sku":"VS35SCWALNUT","price":2695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-Vintage-35SC-Combo-Walnut-Main.JPG?v=1516892133"},{"product_id":"vintage-sound-vintage-35sc-surf-green","title":"Vintage Sound Vintage 35sc Combo, Surf Green","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26099200577,"sku":"VS35SCSRF","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/VS-35SC-Surf.JPG?v=1516892351"},{"product_id":"vintage-sound-vintage-35sc-tan-levant","title":"Vintage Sound Vintage 35sc Combo, Tan Levant","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26099301057,"sku":"VS35SCTL","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_0915.JPG?v=1541214960"},{"product_id":"vintage-sound-vintage-35sc-wine","title":"Vintage Sound Vintage 35sc Combo, Wine Taurus","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26099581953,"sku":"VS35SCWINE","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_4194_15.jpg?v=1541214962"},{"product_id":"vintage-sound-vintage-35sc-ostrich","title":"Vintage Sound Vintage 35sc Combo, Brown Ostrich","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26099647233,"sku":"VS35SCOST","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_8367.JPG?v=1541217910"},{"product_id":"vintage-sound-vintage-35sc-black-silver","title":"Vintage Sound Vintage 35sc Combo, Black, Silver","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26099719361,"sku":"VS35SCBLKSLV","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_8354_4ca25382-dbba-4a02-ba4b-cf0fc548f743.JPG?v=1541214956"},{"product_id":"vintage-sound-vintage-35sc-black-tan","title":"Vintage Sound Vintage 35sc Combo, Black, Tan","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":26102018177,"sku":"VS35SCBLK","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/vintage-sound-vintage-35sc-black-tan.jpg?v=1516891586"},{"product_id":"vintage-sound-vintage-35sc-head-1x12-cab-black-silver","title":"Vintage Sound Vintage 35sc Head \u0026 1x12 Cab, Black, Silver","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head\/cab rig!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":28834328961,"sku":"VS35SCHDCBBKSL","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/vintage-sound-vintage-35sc-head-1x12-cab-black.jpg?v=1516892167"},{"product_id":"vintage-sound-vintage-35sc-head-1x12-cab-blonde","title":"Vintage Sound Vintage 35sc Head \u0026 1x12 Cab, Blonde, Gold","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head\/cab rig!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":28834488065,"sku":"VS35SCHDCBBLGD","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-22SC-Head-Cab-Blonde-Gold-Main_68449967-81e6-4875-8e8b-e3bc6088aca7.jpg?v=1516892236"},{"product_id":"vintage-sound-vintage-35sc-head-1x12-cab-brown-ostrich","title":"Vintage Sound Vintage 35sc Head \u0026 1x12 Cab, Brown Ostrich","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head\/cab rig!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":28834576705,"sku":"VS35SCHDCBOST","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-35SC-Head-Cab-Ostrich-Main.jpg?v=1516892259"},{"product_id":"copy-of-vintage-sound-vintage-35sc-blonde-oxblood","title":"Vintage Sound Vintage 35sc Combo, Blonde, Oxblood","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":31477142337,"sku":"VS35SCBLOX","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_8386.JPG?v=1516892318"},{"product_id":"vintage-sound-vintage-35sc-black-western","title":"Vintage Sound Vintage 35sc Combo, Black Western","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":31479018369,"sku":"VS35SCBLKWEST","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-22SC-Black-Western-Combo-Main_68aefe1b-6e82-45ea-8824-1dc8ced0a848.JPG?v=1516891623"},{"product_id":"vintage-sound-vintage-35sc-black-salt-pepper","title":"Vintage Sound Vintage 35sc Combo, Black, Salt \u0026 Pepper","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is the amp many of you have asked for, and is offered exclusively here at \u003cspan style=\"color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name). But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb in the Princeton sized 1x12 enclosure. Well, here it is! \u003cstrong\u003eThe Ultimate Portable Blackface!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, a 12\" speaker, and the same Black Face circuitry found in a mid 60's Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. An added MIDDLE tone pot for better control over your EQ, a Dwell control for the Reverb, and a Bright\/Dark Switch so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: bold;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, lighter, and more portable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eTo top it off, Vintage Sound includes all the desired improvements people have made to the Deluxe Reverb \/ Vibrolux circuit over the years!\u003cbr\u003e \u003cbr style=\"color: #339966;\"\u003e \u003cb style=\"color: #339966;\"\u003eWhat are these improvements?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 1) One thing you'll notice is the addition of a \"MIDDLE\" tone control. This, of course, was not on the original amp. So, why did Vintage Sound decide to add it in? Well, first of all, it absolutely does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a fixed mid set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k potentiometer. The result is you now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a 65 Deluxe Reverb, just turn the pot to around 6-7 and you're there. You want to scoop the mids a touch, pull back. Warn the tone a bit, turn up. \u003cbr\u003e \u003cbr\u003e 2) As mentioned above, the original circuit was somewhat bright. Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a very nifty reverb dwell control which is on the rear of the chassis. Obviously, this too was omitted on the original circuit, but it comes in quite handy for adjusting the amount of decay the reverb has. Nice!\u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003e Combo Dimensions: 17\" High x 19 7\/8\" Wide x 9 1\/2\" Deep\u003cbr\u003e Optional Accessories: Two Button Footswitch, Padded Cover\u003cbr\u003e Weight: 37 lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cb\u003e\u003cspan color=\"#f03d04\"\u003eWhy WGS G12C\/S speakers?\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eThe G12C\/S is essentially their take on the Jensen C12n, but with several refinements such as a smoother top end, more touch sensitivity, and an overall warmer tone. Blackface amps can be sharp and trebly, particularly when distorted. The G12C\/S addresses this with it's more rounded top end which is quite noticeable on bright guitars (Telecaster, etc). Furthermore, \u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003eWarehouse Guitar Speakers are made here in the USA and not in China like most of today's Celestions.\u003c\/span\u003e\u003cspan color=\"#112244\" face=\"Verdana\" size=\"-1\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default Title","offer_id":37750230401,"sku":"VS35SCBLKSP","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/IMG_2624.JPG?v=1516892291"},{"product_id":"vintage-sound-vintage-35sc-retube-kit","title":"TAD Tube Kit - Vintage Sound Vintage 35sc","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eGet your \u003cstrong\u003eVintage Sound Vintage 35sc \u003c\/strong\u003e\u003cspan style=\"font-weight: bold;\"\u003eTAD (Tube Amp Doctor) Tube Kit \u003c\/span\u003etubes at \u003cspan style=\"font-weight: bold; color: #339966;\"\u003eHumbucker Music\u003c\/span\u003e! As one of the largest dealers of high-end amplifiers in the world, we know and understand tubes and the amps they go in. TAD tubes are carefully selected and undergo very strict quality control before being offered for sale. If they don't past this rigorous testing, they are not chosen to be TAD tubes. We highly endorse TAD replacement tubes for any high-end amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-family: Verdana; color: #112244; font-weight: bold;\"\u003e\u003cspan style=\"color: #339966;\"\u003eIn this Vintage Sound Vintage 35sc Tube Kit:\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e(3) TAD 12AX7A-C Preamp Tubes (Premium Selected)\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e\u003cspan\u003e(2) TAD 12AT7 Preamp Tube (Premium Selected)\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e(2) TAD Matched 6L6GC-STR Blackplate Power Tubes (Premium Selected)\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e\u003cspan\u003e(1) TAD GZ34-STR \/ 5AR4 Rectifier Tube (Premium Selected)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Verdana; color: #112244; font-weight: bold;\"\u003e\u003cbr\u003e Description:\u003c\/span\u003e\u003cbr style=\"font-family: Verdana; color: #112244;\"\u003e \u003cbr style=\"font-family: Verdana; color: #112244;\"\u003e \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eTube Amp Doctor tubes undergo very strict testing before being accepted as \"Premium Selected\" tubes\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eAll preamp tubes labeled Premium Selected have passed the following tests:\u003c\/span\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e Low Noise Test\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eMicrophonic Test\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eGain Test\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eSonic Tests\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eShock Tests\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eListening Tests\u003c\/span\u003e, \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eBalanced Output Test\u003c\/span\u003e\u003cbr style=\"font-family: Verdana; color: #112244;\"\u003e \u003cbr style=\"font-family: Verdana; color: #112244;\"\u003e \u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003eAll power tubes labeled Premium Selected have passed the following tests: Plate Current (PC) and Amplification (TC), Low Noise Test, Microphonic Test, Sonic Tests, Shock Tests, Listening Tests, Shorts \u0026amp; Leakage Tests\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\"\u003e\u003cbr\u003e \u003cbr style=\"color: #f03d04;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Verdana; color: #112244;\"\u003e\u003cspan style=\"color: #f03d04;\"\u003e*Note:\u003c\/span\u003e The picture shown is our stock TAD Tube Kit pic. Naturally, the amount of tubes included in each kit varies from amp to amp.\u003c\/span\u003e","brand":"TAD","offers":[{"title":"Default","offer_id":721705566209,"sku":"TADTKVSV35SC","price":172.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/TAD-TUBE-AMP-DOCTOR-TUBE-KIT_65ccf8c6-3992-4520-84db-7a5306b723cf.jpg?v=1516119393"},{"product_id":"vintage-sound-vintage-35sc-head-black-silver","title":"Vintage Sound Vintage 35sc Head, Black, Silver","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head!\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003eInputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":17147870674990,"sku":"VS35SCHDBKSL","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/vintage-sound-vintage-35sc-head-1x12-cab-black_488cf168-0537-445a-86c1-1f7fb1d8ab26.jpg?v=1564408609"},{"product_id":"vintage-sound-vintage-35sc-head-blonde-gold","title":"Vintage Sound Vintage 35sc Head, Blonde, Gold","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003eInputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":17147911864366,"sku":"VS35SCHDBLGD","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-22SC-Head-Cab-Blonde-Gold-Main_91f83dc6-ed9b-453a-9795-2ee1f32868dc.jpg?v=1564408852"},{"product_id":"vintage-sound-vintage-35sc-head-brown-ostrich","title":"Vintage Sound Vintage 35sc Head, Brown Ostrich","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head!\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":17147966717998,"sku":"VS35SCHDOST","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-35SC-Head-Cab-Ostrich-Main_4f212c42-b876-4ad1-88d5-02aaa4c3b3b6.jpg?v=1564409232"},{"product_id":"vintage-sound-vintage-35sc-head-1x12-cab-wine","title":"Vintage Sound Vintage 35sc Head \u0026 1x12 Cab, Wine","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head\/cab rig!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":17195845287982,"sku":"VS35SCHDCBWN","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage_sound_vintage_35sc_head_and_cab_wine_tan.JPG?v=1564851345"},{"product_id":"vintage-sound-vintage-35sc-head-1x12-cab-black-tan-1","title":"Vintage Sound Vintage 35sc Head \u0026 1x12 Cab, Black, Tan","description":"\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cb\u003eThe Vintage Sound Vintage 35sc is now available as a head\/cab rig!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Vintage 22sc has been extremely popular as the ultimate black face Deluxe Reverb in a single channel format (hence the \"sc\" in the name).  But many of you have been asking for a higher headroom version with the same features, in other words, a single channel 35 watt Vibrolux Reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThis is a true Black Face AA964 designed single channel amp housed in a Princeton Reverb size cab, buillt with a 12\" speaker, and the same Black Face circuitry found in a Black Face Deluxe Reverb \/ Vibrolux style amp, only without the unused Normal channel. Vintage Sound added a Mid range tone pot for better control over your EQ, a Dwell control to the back of the chassis as a second EQ for the Reverb, and a Bright\/Dark Switch, so the amp would not be permanently wired in the Bright mode like the original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003eThe Vintage 35sc is basically a single channel, handwired 65 Deluxe Reverb circuit, only more powerful, and lighter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cstrong\u003eVintage Sound has also included all these desired improvements:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 1) The addition of a \"MIDDLE\" tone control. The original Fender circuit actually had a fixed \"MIDDLE\" that was set permanently at 6.8k. We removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. \u003cbr\u003e \u003cbr\u003e 2) Many people used to pull the chassis and clip the bright cap allowing a darker tone from their amp. Others, on the other hand, liked it bright. We've eliminated the trouble by including a \"bright cap defeat\" switch. Flip it to Bright for the original tone, or flip it to dark to essentially \"clip the bright cap.\" \u003cbr\u003e \u003cbr\u003e 3) Also included is a reverb dwell control on the rear of the chassis. It comes in handy for adjusting the amount of decay the reverb has. \u003cbr\u003e \u003cbr\u003e 4) Another smart alteration is the incorporation of a Diaz based tremolo mod and a newly designed oscillator specific to Vintage Sound Amps. This accomplishes a few things... You'll notice the Vibrato has the ability to be slower than stock Fenders. The vibrato being too fast was always a complaint people had with vintage Fenders (and still do to this day). The other advantage this gives is when you turn the dial all the way down, you switch off the vibrato circuit, bypassing it and leaving you with a cleaner, more pure signal. The result is a slightly more present tone, and a bit of a bump in volume. Furthermore, with the older Fender Tremolo circuits, you can hear a \"ticking\" sound with the vibrato. This is caused by several design flaws in the original circuit allowing the LFO signal to leak into the audio path. These issues have been addressed with better routing of the wires, superior components, and filtering of the oscillator output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#112244\" face=\"Verdana\" style=\"color: #112244; font-family: Verdana;\"\u003e\u003cbr\u003e \u003cspan color=\"#339966\" style=\"color: #339966;\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e Wattage: 35 watts\u003cbr\u003e Preamp Tubes: 3 x 12AX7, 2 X 12AT7\u003cbr\u003e Power Tubes: 2 x 6L6\u003cbr\u003e Rectifier: 1 x 5AR4 \u003cbr\u003e Front Controls: Bright\/Dark Switch, Volume, Treble, Middle, Bass, Reverb, Speed, Intensity\u003cbr\u003e Rear Controls: Dwell (Very cool custom feature for controlling the reverb decay time!)\u003cbr\u003e Effects: Tube Driven Spring Reverb, Tube Vibrato\u003cbr\u003e Speaker: 12\" : WGS G12C\/S\u003cbr\u003e Inputs: 2 Inputs\u003cbr\u003e Auxiliary Input: RCA Footswitch Jack\u003cbr\u003e Extension Speaker Jack: External Speaker Jack\u003cbr\u003e Circuit Construction: All Point-to-Point, Hand-wired\u003cbr\u003e Cabinet Construction: Dove-tail jointed solid pine w\/Baltic Birch Plywood baffle and back panels\u003cbr\u003e Pilot Light: Blue Amp Jewel\u003cbr\u003eOptional Accessories: Two Button Footswitch, Padded Cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Sound","offers":[{"title":"Default","offer_id":17195847024686,"sku":"VS35SCHDCBBKTN","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/Vintage-Sound-35SC-Head-Cab-Black-Tan-Main.JPG?v=1564851420"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/collections\/vintage-22sc-14_large_0dd2f84b-09f8-4f86-8c01-471b600b8f98.jpg?v=1467833088","url":"https:\/\/www.humbuckermusic.mom\/collections\/vintage-sound-vintage-35sc\/brown-ostrich.oembed","provider":"Humbucker Music","version":"1.0","type":"link"}